主演：贾一平,杨恭如,王刚,斯琴高娃,赵亮,戴江,王玉宁,刘伟
导演：陈可辛
简介：在大同民间，流传着这样一个美丽的传说。故事发生在明代正德年间，年少的正德皇帝继位，由于贪玩儿，致使大太监刘谨专权，勾结胡人，企图篡权。皇太后及一班大臣为社稷江山而忧心忡忡。正德帝假借观赏大同民俗为名，突然带着侍从小虫儿微服来到大同，暗地里调查刘谨内外勾结的罪证。不料，正德这在凤临阁吃饭时，无意间搅进一桩命案里，幷与凤临阁老板娘凤姐相识。 这桩命案原来是市井泼皮曹虎所为，意在陷害凤姐，抢走凤临阁的生意。曹虎凭借着叔父是大同总兵，在大同勾结官府，为所欲为，把正德帝等抓进牢中。凤姐却误会了乔装成商贾侯公子的正德帝，以为是来栽脏陷害她。曹总兵发觉误抓了正德帝，惊慌失措，忙与知府商议，索性将错就错，不揭露皇上真实身份，不动声色地秉公宣判，抓起曹虎，放了正德帝。 一场虚惊过去，凤姐知道误会了侯公子，很是不安。侯公子喜欢上了爽快泼辣、美貌动人的凤姐，邀请她做向导，去游玩去岗石窟等名胜。凤姐欣然陪同。正德帝发现凤姐不过是一个民间女子，却对名胜古迹历史渊源了如指掌，惊诧不已。远在京城的刘谨怀疑正德帝去大同意图，却得到密报，知道正德帝真的是去玩乐，看上了一个民间女子，大喜，指使安插在正德帝身边的眼线小虫儿，伺机下毒，除掉正德帝。同时，为了随时掌握顾命大臣李东阳的动向，忍痛割爱，把身边宠妾刘兰儿送给了李东阳。小虫儿在正德帝茶碗里下了毒，可是当正德帝要喝时，小虫儿却不忍心，一把打翻毒茶……刘谨得知小虫儿未按指示办，冷笑一声，跟手下爪牙说，还有另一招，可以置正德于死地！原来刘谨已经与胡人串通好，要在云岗一带伏击正德帝，结果被曹总兵的人马打败。京城李东阳派来密探，告知正德帝朝廷混乱，刘谨蠢蠢欲动，须速速回京！正德帝与凤姐依依不舍分别，曹总兵以护驾为名，把三万兵马驻扎到京城郊外，震慑刘谨。刘谨见状，导演出舍命护驾、剜肉配药等自编自演的好戏，假装出一付忠臣状。正德帝佯佯中计，重用刘谨，引起朝内大臣不安。正德帝又与李东阳密谋，再去大同，给刘谨暴露谋反的机会，以得到证据，除去奸臣。身在大同凤临阁的凤姐，日夜思念侯公子(正德帝)，却被逃出大牢的曹虎纠缠。曹虎设计，给凤姐的茶里下了迷花散。曹虎正要占有她，恰逢正德帝赶到，曹虎逃跑，正德帝误会了凤姐…… 曹虎又设毒计，陷害侯公子(正德帝)。就在正德帝被押解到树林里，性命危机之时，曹总兵及时赶到，救出正德帝。此时大家都已知正德帝身份，只有凤姐还蒙在鼓里。刘谨以为篡权时机已到，忙着准备龙袍、玉玺，择日登基。李东阳也以为除去刘谨一伙的条件成熟，让皇太后装重病，找皇上回京。这时，身在大同的正德帝已经与胡人小王子和好，免去了边关忧患。凤姐与侯公子的感情也日益深厚，终于结合在一起得京城密报，正德帝焦急，凤姐却看出破绽，劝正德帝秘密速回京城，除去刘谨心腹大患！正德帝悄然回京，秘密指挥李东阳等忠臣调取刘谨罪证。刘谨得知凤姐怀有身孕，想在凤姐身上大做文章。不料凤姐得知刘谨诡计，忍痛打胎，让刘谨阴谋破产。李东阳想出计策，以在大同一带发现元代藏宝密址为诱饵，把刘谨调出京城。就在刘谨为藏宝的事奔忙时，李东阳已经清除掉刘谨在京城的势力。刘谨得到急报，班师回京，已经为时已晚。回京路上，正德帝领御林军截住刘谨，大战一场，正德帝用刘谨教给的借刀杀人之计还施彼身，除掉了刘谨。正德帝欲接凤姐回宫。不料凤姐坚决不从，说自己是一个民间女子，不能影响正德帝的治国大事。正德帝欲强行带走凤姐，封了凤临阁。凤姐宁可出家做尼姑，也不去京城。正德帝火烧尼姑庵，想逼凤姐出来。不料凤姐宁死也不愿走出尼姑庵！正德帝追悔莫及，再去扑火，已经晚矣。深爱凤姐的正德帝心灰意冷，下旨凤临阁永远不准开业，除非凤姐死而复生！皇太后也曾竭力反对这件事，让正德帝在美人与江山之间，只能择其一。如今凤姐已死，正好断了正德帝想念。正德帝只好听从皇太后旨意，同意与胡人之公主联姻，返回京城，重整大明江山。凤姐对正德帝的警悟和鼓励终于使他认识到自己肩负的使命，决心做一个为国为民的好皇帝，不再贪玩，而从此一心于朝政……
主演：张敏,侯岩松,吴奇隆,林依轮,严顺开,吴军忱,唐嫣,曹卫宇,杨昆,张鹤,周显欣
导演：黄健中
简介：39集电视剧。反映清末，名闻天下的南湖楼惨遭书厄，孔家老太爷气绝身亡。在日本读书的孔家大少爷孔一白赶回来时，众书楼正落井下石，低价抢购南湖楼的书籍。孔一白怀疑是神秘偷书组织“落花宫”发誓报仇，与南湖楼同样名闻天下的风满楼也派出三少爷敖少方收书，却赶上一个叫云儿的姑娘斥责众人只图私利，孔一白与敖少方都深为触动，爱上了这个惊艳的女子……敖少方求父亲将云儿收留，正式嫁到敖家。却不知从此拉开了落花宫与风满楼的一段偷与藏的恩怨。有同名小说。
主演：神谷浩史,工藤晴香,野岛健儿,高桥美佳子,杉田智和,上田祐司,藤原启治,大原沙耶香,竹若拓磨
导演：笠井贤一,长井龙雪,舛成孝二,湖山祯崇,吉本毅,安藤健,清水一伸,高岛大辅,橘秀树,中山胜一,松本佳久
简介：美术大学学生竹本和学长真山以及多次留级的森田一起生活在单身公寓里，大家的生活风清云淡却也乐趣无穷。他们的老师花本先生向三人介绍了自己表兄的女儿，阿久。外表幼小的阿久有着惊人的艺术表现力，竹本和森田都不觉得对她一见钟情。难以言表的爱情、友情在三人之间渐渐弥漫。另一方面，真山爱上了花本老师的朋友理花小姐，而理花却深陷对逝世丈夫的怀念，难以自拔。和真山青梅竹马的山田，在坚强爽朗的个性下却常常因为对真山的单恋而独自落泪。那个夏季，空气里弥漫着甜蜜也氤氲着苦涩，四叶草在风中摇曳，等待幸福的孩子们采摘。
主演：刘恺威,张佳宁,李溪芮,毛毅,薛宇槟,陈创
导演：马鲁剑
简介：出身于小家碧玉的段亚蒙，天真活泼，同时受两大豪门公子顾家兴和殷如豹的追求。随着天津沦陷，日军残害了她的父母，突如其来的家仇国恨，她被迫嫁给殷如豹，与男友顾家兴分手，并认识了共产党员罗成方，至此四人的命运开始逆转。顾家兴因日伪的反间计，被迫踏上投敌的不归路，与段亚蒙成为头号对手，一直对她不离不弃的殷如豹为了支持她的事业为她献出了生命。亚蒙在罗成方的引领下逐步接触中共地下组织，两人在风刀霜剑中产生了情感和依恋。段亚蒙历经挚爱的背叛、亲朋的伤害，以及与强敌博弈的种种考验，千锤百炼，浴火重生，最终成为一个成熟的红色战士。
主演：名冢佳织,花村怜美,入野自由,岩村爱子,杉山大,水野理纱,竹田雅则,AZU,能登麻美子
导演：西村纯二,川崎逸朗,森胁真琴,镰仓由实,高林久弥,寺泽伸介
简介：高中女生奈绪（名冢佳织 配音）隶属摄影部，她喜欢捕捉云和风。一天，她在学校天台拍照时，看见一只飞天猫，随即天空居然下起了“猫雨”，震惊之余她不慎失足坠楼。出乎意料的是，从高空中摔下的她竟毫发无损。原来是拥有操纵风的能力的风使——大气老师救了她，而那只猫之所以会飞也是因为它懂得操纵风。得知大气老师回乡参加祭典后，奈绪和好朋友美纪（花村怜美 配音）以及同班男生阿润（入野自由 配音）一起来到风使之乡找他，向他学习风的知识，老师却一口回绝。目睹了震撼人心的风之祭典后，奈绪似乎更加了解风……本动画围绕着奈绪的日常展开，她的高中生活也许平平凡凡，然而故事里有风。
主演：卢克·伊万斯,劳米·拉佩斯,伊冯娜·斯特拉霍夫斯基,理查德·劳斯伯格,芬恩·利特,Rob,Collins,蕾切尔·戈登,特蕾西·曼恩,埃米莉·格鲁尔,Pip,Miller,Mirko,Grillini,Annika,Whiteley,陈艾琳,Rebecca,Bower,Ayeshah,Rose
导演：金·法伦特
简介：劳米·拉佩斯将主演心理剧情新片《我的天使》(Angel of Mine)，金·法兰特(《陌生之地》)执导，卢克·戴维斯(《雄狮》)和大卫·里格(泽克和路德)编写剧本。基于2008年法国电影《天使的印记》，围绕一位母亲莉兹展开，几年前她失去了女儿，仍在应对悲剧带来的疼痛，她开始确信一位陌生人的女儿就是她的骨肉。随着她对这一理论的痴迷度日益增长，她与这个小女孩的生活越发纠缠不清，失去了与现实的接触。该片4月开拍。
主演：卡琳娜·丝穆德,沃德玛·托伦特拉,安娜·崔佛,鲁格·豪尔
导演：本·桑伯加特
简介：故事发生在二次世界大战结束之后，残酷的战争摧毁了大部分的城市和土地，女人成为了战争最大的受害者。在经历了漫长的等待之后，有26位新娘终于能够和日思夜想的恋人们相聚了，她们搭载着一架名为“新娘航班”的飞机，千里迢迢赶往恋人的身边。艾达（卡琳娜·丝穆德 Karina Smulders 饰），艾斯特（安娜·崔佛 Anna Drijver 饰）和马乔里（爱丽丝·夏普 Elise Schaap 饰）都是这些女人中的一员。飞机上，艾达邂逅的英俊的弗兰克（沃德玛·托伦特拉 Waldemar Torenstra 饰），两人迅速坠入了情网，而之后，艾斯特却在和弗兰克的露水情缘中怀上了他的孩子。孩子出生后，艾斯特将他送给了无法生育的马乔里。婚后的艾达依然无法忘记弗兰克，她的深沉情感最终被丈夫发现。
主演：李若宁
导演：侯懿洋,宋赞
简介：国际比赛的赛场上面，经历了漫长的bo5之后，一群少年眼看着自己的水晶在眼前爆照，台下响起震耳欲聋的欢叫声，但是台上面的五个少年却已经听不见了，他们只能傻傻的看着屏幕上面亮起失败的字样比赛的失败他们有苦难言，外面的人不知道，这是俱乐部安排的。最终虽然五个人拼尽了权力，但是拿到了版本不适合的英雄，最终只能惜败。大家的手机都收到了汇款通知，钱数非常可观，是俱乐部赢了外围赌注的奖金，众人只觉得手机变得异常的烫手。烦神收到了短信提示心态瞬间爆炸怒气冲冲的出了基地。众人追出去，但是已经来不及了，小烦因为横冲马路被车撞死，随着这件事情之后战队一个一个的离开，曾经的辉煌就这么消失了。
主演：户田惠梨香,加濑亮,龙雷太,有村架纯,大岛优子,向井理,浅野优子,神木隆之介,北村一辉,栗山千明,香椎由宇,远藤宪一
导演：堤幸彦
简介：经过与一十一（神木隆之介 饰）的恶战，濑文焚流（加濑亮 饰）身受重伤，命几不保。在此期间，青池里子（栗山千明 饰）随女儿小润（森山树 饰）悄然离开医院；而各国政要的一次关于简单计划的秘密会议上，自称卑弥呼的日本代表抹杀所有人，他代表SPEC持有者正式向普通人类宣战。世态险恶的当下，濑文急急出院，和当麻纱绫（户田惠梨香 饰）一同调查青池母女的行踪。而野野村组长（龙雷太 饰）则独自行动，查找简单计划病毒疫苗的下落。新的SPEC持有者交替登场，残酷的杀戮却从未停止。关于前人类的秘密昭然若揭，惨烈浩大的人种战争即将拉开序幕……本片为SPEC系列完结篇的前篇。
主演：绿川光,矢岛晶子,关俊彦,中原茂,折笠爱,石野龙三,佐久间玲,依田英助,稻叶实,大泷进矢,藤本让,田口昂,子安武人,横山智佐,中田和宏,中村大树,森川智之,千叶一伸,纱由里,冬马由美,松井菜樱子,铃木沙织,中村秀利,铃木泰明,宫村优子,中岛聪彦,梅津秀行,大塚明夫
导演：青木康直,杉岛邦久
简介：剧情紧接外传 Battlefield of Pacifist（和平主义者的战场），地球与殖民地的战斗于殖民后196年结束。除五飞外，希洛等四位高达驾驶员决心把高达送往太阳丢弃，然而统一的地球圈再次被人类的欲望所吞噬，战乱再一次燃起。巴顿财团利用前OZ统帅杜鲁斯之女作傀儡领袖成立军队，以新建之殖民地X18999为基地，同时胁持担任地球外交官的莉莉娜作人质，企图实行第二次流星作战。希洛等人进入殖民地化解危机并把高达取回作战。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：贝尔·格里尔斯
导演：未知
简介：这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！
主演：吉田行地,石川由依,唐泽美帆,茅原实里,结城爱良,埃文·考尔
导演：未知
简介：紫罗兰永恒花园交响音乐会2021，演奏包括TV剧集、外传与剧场版在内的音乐，两日三场公演。
主演：徐璐,文咏珊,周一围,张志坚,杨祐宁,余皑磊,牛子藩,徐敏,盛朗熙,刘俊孝,马卫军,江一,高子沣,孙宁,牛飘,丁子玲,张皓然,王纯,吴京海,孙布尔,冯千,马晓峰,黄娟,杨廷东,王海地,朱研,纵昕芸,金晖,马伯全
导演：李云亮
简介：故事发生在1941年的中国，时值汪伪政府统治期间，军统特工顾晓梦（徐璐 饰）经过了不懈的努力和伪装终于成功打入汪伪政府内部。一名日军情报部高官的死让日方震怒，他们认为这一切都是一个代号为“老鬼”的地下党领导人策划实施的。为了彻查此事揪出老鬼，顾小梦和译电组组长李宁玉（文咏珊 饰）、剿匪大队长吴志国（杨祐宁 饰）、司令侍从官白小年（牛子藩 饰）、剿匪总队军机处处长金生火（张志坚 饰）一行五人被关进了裘庄。负责审讯他们的是特务处处长王田香（余皑磊 饰）和日本特务机关长龙川肥原（周一围 饰）。如果不能在期限内揪出老鬼，那么他们五人将无人生还。
主演：罗晋,王丽坤,邓伦,何杜娟,张博,于和伟,胡静,海一天,邹兆龙
导演：杨晓明
简介：殷商末年，纣王无道，荒淫度日，听信奸佞费仲谗言，欲将冀州侯苏护之女苏妲己占为己有，遂派大军压境，讨伐冀州以夺取妲己，不想妲己已被狐妖所附，丧失心智，助纣为虐。在妲己的煽动下，纣王杀文害武，斩妻杀子，聚敛民财，苦害生灵，与此同时，西伯侯姬昌勤于政事，善施仁德，西岐国力日渐强大。元始天尊见朝歌城已被妖孽所控，断定殷商气数已尽，决定派遣姜子牙下山辅佐姬昌伐纣。姜子牙垂钓磻溪，得文王相聘，后又听闻杨戬生来带有蕴藏神力之天眼，姜子牙深知此人一念成佛，一念成魔，故收杨戬为徒，启发他的善良和正义，并引导杨戬加入伐商大军。在文王驾崩后，其子姬发继位，成为周武王。武王拜姜子牙为相父，姜子牙正式辅助武王，起兵讨伐商纣。面对纣王、妲己、申公豹组成的邪恶力量，姜子牙、杨戬与雷震子、哪吒等五行上将团结一致，联手与妖邪势力作战。最终，西岐战胜朝歌，商纣江山倾覆，武王登基，姜子牙自此位列仙班。
主演：周冬雨,李治廷,任贤齐,梁咏琪,窦骁,陈乔恩
导演：黄真真
简介：第一滴泪：罹患骨癌的美丽少女给力妹（周冬雨 饰）不曾被病魔吓倒，她以乐观的精神感染着医院内每一个病人。在她的感召下，本该阴郁忧伤的医院犹如人间天堂。这天，身患脑癌的富二代游乐（李治廷 饰）入住医院，他绝望愤怒的情绪很快就被给力妹及小朋友的笑容所消解，医院成为他们人生最后 的快乐驿站；第二滴泪：培育过无数人才的信义音乐学院面临破产，为了挽救学校，同时了却亡妻的心愿，陈校长决定召集毕业的学生回校召开一场音乐会。曾与同学——现今蜚声国际的小提琴演奏家杨琳（梁咏琪 饰）谈过恋爱的丁大可（任贤齐 饰）奉命邀请杨琳出席；第三滴泪：底层小青年陈升（窦骁 饰）经过艰苦打拼，终于在事业上有所成就。当他准备迎娶苦恋多年的女友小彩（陈乔恩 饰）之时，一场意外突然发生。
主演：迟佳,李菲儿
导演：刘健魁
简介：海子是一个绑架团伙的成员，在接头提取赎金时携赃款潜逃，临走时还向警察抖出了团伙老大武猛的巢穴。逃亡途中海子不慎受伤，在向过往的长途汽车求助时，遭到售票员的欺生，幸而得到苗家姑娘阿凤的仗义相助。海子住进了阿凤工作的花溪镇的光明旅社，并在诊所得到了救治。善良的阿凤悉心照料海子，一举一动悄然感动着海子，但海子多年混迹社会的习性容不得他去相信任何人，只能把这份情愫深藏心底。团伙老大武猛昼伏夜出，躲避警察的缉捕。他一刻不停地打听海子的下落，要报一箭之仇。海子渐渐康复，他经常独自进花溪山去画画，开始有欲望去体味正常人的生活。一日海子写生归来，借着酒精作用冒犯了单纯的阿凤，阿凤哭着跑出门去。海子的性情在那件事之后发生了很大变化。为了弥补给阿凤造成的伤害，他开始主动接近阿凤，阿凤的画像贴满了他的房间。阿凤的恨意也渐渐消融，不知不觉中海子和阿凤萌生爱意。但当这份纯真的爱摆在面前的时候，海子却最终选择了逃避。武猛得知海子下落，连夜翻山越岭赶来，警方也跟踪而至。良知觉醒的海子与凶残的武猛展开了一场殊死搏斗，一个是为了爱，而另一个是为了那不义的四十万。最后，在海子的帮助下警方击毙了凶残的武猛，海子也为他犯下的罪行承担起应得的惩罚。阿凤依然守候着那份纯洁的爱，在灿烂的桃花源里等候着高墙内的海子。
主演：华伦·威廉,莫琳·奥沙利文,格雷戈里·拉托夫
导演：埃德加·塞尔温
简介：Aspirations and the lives of several people working at the gigantic Seacoast National Bank Building interweave in various plots. The most notable character is David Dwight, the womanizing bank owner who keeps his estranged wife happy by paying for her extravagant globetrotting. Dwight's long time secretary Sarah yearns for them to divorce so her affair with him can be legitimized. Sarah shows her good side by playing mother to the young innocent Lynn Harding, who she employs as an assistant. Beautiful Miss Harding is relentlessly pursued by extroverted bank teller Tom Sheppard, but he is frustrated when Dwight lures her away with power and wealth. Then Dwight ruins everyone's finances in a successful bid to get full control of his skyscraper by manipulating the company's stock price. Now there doesn't appear to be anyone who can prevent the power monger from taking advantage of the ingenue Harding-or is there
主演：李法曾,王怀文,宋戈,唐纪琛,朱一锦,麦小琴
导演：傅杰
简介：讲述了我国有一个美丽的边关小镇--荷花渡，地处我国南海之滨，香港之畔。一条小街把这个镇划分成两个世界：一侧归中国所管；另一侧属港英当局管辖。海关分关长龙汉生，严于律己，不徇私情，为了捍为国家的利益，不放过任何一个违法走私的罪犯。根据群众揭发，赴香港考察归来的县委书记夫人、县商业局局长陈兰香，贴身藏有私货。龙汉生按照海关规定，查扣了陈兰香的全部私货：20块进口手表和原版《金瓶梅》录像带。县委书记曾坤见老婆丑事暴露，为了挽回影响，主动通报全县，并叫陈兰香写了一份检查，亲自送交龙汉生。龙汉生被假象蒙住了眼睛，将手表没收、磁带洗掉退回，作了下不为例的宽大处理。然而，财迷心窍的陈兰香及其子曾学民依仗权势、利用荷花渡电视机组装公司的招牌，勾结港商黄贤达，继续大肆走私，牟取暴利。陈兰香母子还把唐伯虎和齐白石的两幅真迹卖给了黄贤达。当黄私带出境被海关查扣时，曾坤再次出马，拿着通过地委从上面搞来的证明批件来找龙汉生，硬说这两幅古画是复制品，是他们赠送给黄贤达的礼品。龙汉生出于手续完备，只得发还放行，同时龙汉生也觉察到曾坤已经陷入走私贩私的泥坑。曾学民勾结黄贤达以三七分成，偷运进口电视机1000台，连夜装车运住各地，准备内销获取暴利。海关得讯后，龙汉生派车追赶，当场扣留了曾学民的货车。此时，曾坤又出现了，拿出批件，证明这是爱国港商为帮助地区开展电化教育，捐赠给地委的。龙汉生虽已看出是他们走私贩私的交易，但由于有批件证明，不得不再次放行。身为海关分关长的龙汉生，眼看着大量金银和珍贵文物外流，面对有法难循的状况，心情极为沉重。他向省和中央纪委检查委员会提出控告，并坦率地告诉曾坤本人，诚恳地希望他幡然醒悟。但是利令智昏的曾坤，早已把党和国家的利益置于脑后，他先发制人，向地区监察院控告了龙汉生。当龙汉生收到法院送来的龙汉生诬告曾坤一案的刑事传票时，全家和亲属以及支持他接受了挑战。最后，耍尽权势、丧失革命立场的曾坤，终于成为被控告的罪人，受到了法律的制裁。
主演：阿尔·帕西诺,约瑟夫·费因斯,杰瑞米·艾恩斯,琳恩·柯林斯,祖雷克哈·罗宾逊,克里斯·马歇尔,查理·考克斯
导演：迈克尔·莱德福
简介：年轻人巴萨尼奥（约瑟夫·费因斯 Joseph Fiennes饰）一心要向富商千金鲍西娅小姐（琳恩·柯林斯 Lynn Collins饰）求婚，为了这个愿望，他必须付出三千达克特，无奈中他只好向热心肠的商人安东尼奥（杰里米·艾恩斯 Jeremy Irons饰）借钱。碰巧的是，安东尼奥因为生意周转的问题，只能问犹太人夏洛克（阿尔·帕西诺 Al Pacino饰）借来这笔钱。安东尼奥对犹太人历来抱有强烈的厌恶感，而夏洛克则提出了让人吃惊的要求：安东尼奥必须如期如数的归还这笔钱，否则，他将会切下安东尼奥身上的一磅肉。巴萨尼奥终于如愿以偿的娶回了鲍西娅，安东尼奥却因为生意失败，在夏洛克的讨债中陷入困境。夏洛克还要趁这个机会，一雪安东尼奥对犹太人侮辱之耻。安东尼奥那一磅肉，看来非割不可了，聪明的鲍西娅却用绝妙一招，化险为夷。
主演：刘红韵,邓玉婷,祖晴,Qing,Zu,高全胜,严彦子,李团,胡严彦
导演：黄伟明,黄雅婷,何凯慧,曹健慧,李薇薇,汪秋艳
简介：宇宙中的神秘组织似乎对能源核感兴趣，然而五位超人在拯救星星球时失踪了，黑暗势力悄然来袭，谁能承担起守护能源核的重任？五超人前往灰心星球追查越狱的月舞星影下落，却意外发现月舞星影的目的竟然是灰心星的能源核。超人在追查过程中，意外得知大大怪竟然是一直侵略星星球的背后真凶， 但为了保护灰心星球，超人们决定暂时和大大怪（高全胜 配）合作对抗月舞星影以及背后的宇宙黑暗势力。在这个过程中，他们不仅发现了5颗能源核背后隐藏的重大秘密，也知道了伽罗体内黑暗力量的真正来源。
主演：矢岛晶子,楢桥美纪,森川智之,兴梠里美
导演：高桥涉
简介：故事发生在春日部的中华街上的《哎呀城》，「正男」邀请「小新」与「春日部防卫队」，学习传说中的功夫－软Q软Q拳。并和功夫少女「小兰」一起努力练功。这时候，神秘面食”黑熊猫拉面”大流行。那是只要吃过一次就会上瘾，且让人变得凶暴的恐怖拉面！面对这突如袭来的拉面危机！为 了拯救哎呀城，春日部防卫队挺身而出，他们能够恢复街上的和平吗？
主演：Elsa,Lekakou,Konstantinos,Georgopoulos,Simeon,Tsakiris,埃莉娜·托帕丽朵,Stathis,Apostolou
导演：科斯蒂斯·查拉蒙塔尼斯
简介：夏日时光。一个三口之家，单身父亲巴比斯和他即将成年的双胞胎孩子康斯坦丁诺斯和艾尔莎，乘坐家庭小船前往波罗斯岛度假。在游泳、日光浴和结交新朋友的过程中，康斯坦丁诺斯和艾尔莎无意中遇到了他们的生母安娜，她在他们还是婴儿时就抛弃了他们。这次相遇将激起巴比斯心中长久以来的怨恨，为每个人带来一段苦乐参半的成长之旅。
主演：横滨流星,吉冈里帆,森本慎太郎,山田杏奈,山田孝之,前田公辉,田岛亮,远藤雄弥,宫崎优,森田甘路,西田尚美,山中崇,宇野祥平,骏河太郎,木野花,田中哲司,原日出子,松重丰
导演：藤井道人
简介：本片改编自同名小说，讲述了镝木庆一作为一对夫妇被杀的杀人事件的嫌疑犯被捕，被判处死刑。他在移送过程中逃脱。镝木越狱的消息在电视等媒体上被大肆报道，警方虽然全力追查镝木的行踪，但仍未能抓到他。另一方面，事件受害者夫妇中丈夫的母亲井尾由子患有痴呆症，受到了事件的创伤，仍在护理机构进行疗养。镝木一边逃跑一边在躲藏的地方改变了名字和样子，他与施工现场的工作人员野野村和也等许多人相遇，并将他们从困境中解救出来。当野野村他们发现镝木是通缉中的死刑犯时，对于“他真的是杀人犯吗？”开始产生疑问。
主演：阿里安·卡斯特利亚诺斯,马克-安德烈·格隆丁,Nelson,Coronado,马克·博普里,米舍利娜·伯纳德,Marvin,Coroy,伊芙·杜兰索,Wilson,Guerrero,Gerardo,Miranda,路易斯·奥利瓦,Antonio,Ortega,Hubert,Proulx,埃米尔·施耐德
导演：Pier-Philippe,Chevigny
简介：Arine’s difficult financial situation forces her to return to her hometown, where she takes a job interpreting between a farm’s seasonal workers from Guatemala and their Canadian employers. Although she is supposed to remain impartial, when she repeatedly witnesses the migrant workers’ mistreatment, she cannot remain silent. She may possibly be the only person who sees them as ...
主演：谢君豪,马洪刚,陆玲
导演：刘一志
简介：风云传奇是以日本企图侵占中国这一特殊时期为背景，讲述生活在水生火热的两兄弟以救国救民为己任的传奇故事。满目疮痍，遍地烽火，一对孪兄弟，两个小人物，生逢乱世，当何去何从？一个魔术大师，一个千术高手，山河破碎之时，民族存亡之际，如何大显身手？明枪暗箭，血雨腥风，谍海浪涌，命运随浪沉浮，敌友难辨，杀机四伏！昨天，与你生死与共的是兄弟，今天，置你于死地的也是兄弟！昨天，她眼波流转，柔情万千，如今，她一脸沧桑，满袖风雨，清晨已是黄昏，爱恨只剩浮云。日寇猖狂，神州奋起，风云际会期，鼓声动地，杀声震天，谱一阕悲歌，气壮山河，颂一段传奇，流传千古！刚满百天的孪生兄弟浦风、浦云家惨遭灭门，幸得戏法班班主舜天啸相救，得以保住风、云两兄弟性命，并收他们为养子，让他俩学习魔术技巧。哥哥浦风有很高天赋，但对此却毫无兴趣，弟弟浦云虽不如浦风有天赋，却肯于勤学苦练，终有所成。浦风在一次为弟筹钱时误入赌场，并与此结下不解之缘。风、云两兄弟都对师姐舜顺暗生情愫，舜顺则对浦云情有独钟。舜顺为筹钱救母，决定嫁到韩府给人冲喜。出嫁前晚，舜顺凄然向浦云表露心声。浦风为成全师姐和弟弟浦云，想在赌场赢些钱给师娘看病，不料出千时被赌场老板江大成识破，失去两根手指。舜顺在婚礼上被日本军官佐藤高雄强奸并劫走，舜天啸被打死，浦云成为新班主，带领舜家班艰难求生，浦风离开戏法班，开始流浪生涯。江大成欣赏浦风的胆识和胸襟，视其为知己，多次照顾浦风，但浦风不愿欠人人情，谢绝江大成好意。浦风自食其力，靠在街头变戏法谋生。机缘巧合，浦风有次在变戏法时碰上了千术高手陈二，陈二赏识并有意培养浦风，倾其所学，把各种千术尽数传于浦风。陈二和浦风性情相近，豪爽任侠，快意恩仇，虽然都是流落江湖之人，但国难当头，国恨家仇让二人气愤难平，无奈身无所长，不能上场杀敌，两人决定利用自己擅长的千术，联合小兄弟顺子、锥子做局扫荡各大赌场，当时各地赌场绝大部分都是日本人或有日方背景的人开的，他们设计了一场场精妙绝伦的赌局，从日本人或汉奸那里赢来大笔钱财，他们把这些钱财捐赠给抗日人士，虽不能亲上战场，但也尽己所能，援助抗日。浦云带领舜家班奔赴各地演出，无奈世道不济，勉强糊口。浦云聪明而又勤奋，通过不断钻研，改进并创新了很多表演手法，带着对日本人的恨，浦云在演出时还适当加上了反日内容，受到各地中国民众的好评。由于师姐被日本人侮辱、师父被日本人杀害，浦云曾在师父灵前发誓：永远不为日本人表演戏法。一次在义县演出时，一日本军官派汉奸邀请浦云为其演出，被浦云当场拒绝，汉奸威逼利诱，浦云皆不为所动，汉奸强行把舜家班道具尽数拉走，威胁说第二天不演即死。浦云谨遵誓言，冒着生命危险，舍弃舜家班全部道具，带领舜家班连夜离开义县。浦云辗转各地，重新制作道具，继续演出。一次在平谷演出时，浦云遇到了一位名叫赵宗年的中年乡绅，赵宗年对浦云和舜家班大加赞赏，邀请他们参加演出，浦云欣然答应。接下来的一年多，浦云和戏法班在赵宗年的帮助下，生活渐渐好转。1939年冬至，鉴于当地日伪猖獗，赵宗年建议浦云离开平谷到别处发展，并恳请浦云收他的外甥女柳林为徒弟，浦云答应。浦云带领舜家班又开始各地奔波，虽然辛苦，但名气日盛，钱也越挣越多，浦云捐了一大笔钱给抗日队伍，支援抗战。帮助浦云的乡绅赵宗年的真实身份是共产党，那个所谓的外甥女柳林也是共产党的情报工作者。经过一段时间的考察，柳林发现浦云具备很好条件，赵宗年和韩政委决定吸纳浦云为党内同志，通过去各地表演戏法收集、传送各种情报给我党，同日军展开间谍战。浦云知道赵宗年真实身份后又惊又喜，当即决定加入共产党，参与到抗日实战队伍中来，后被派到上海工作。浦风和陈二等人联手叱咤赌场，在做局大赢了一个日本商人后，被日本商人暗算，陈二和顺子被害，浦风侥幸逃脱，辗转到上海，继续在赌场上做局宰杀日本人和汉奸，得到国民党军统上海区的负责人陈墨和许绍麟的赏识，成为一名情报人员。一天，浦风在赌场见到了师姐舜顺，打听到她现在的身份后，浦风设法救走了师姐，并把她送回了舜家班。柳林通过和浦云的朝夕相处，对浦云心生爱慕，对回到舜家班的舜顺则是心生妒忌，同时又怀疑舜顺的真实身份。经历了几次事件后，浦风认识到国民党的贪腐和虚伪，内心极其失望，与国民党渐行渐远，后来加入中国共产党，和弟弟浦云联手为我党传递情报，而柳林和舜顺也终于冰释前嫌。浦风和浦云通过一场场精彩缤纷的魔术和千术，成功展开了谍战工作，成为我党出色的地下情报工作人员，为抗日战争做出了积极的贡献。
主演：瑞安·雷诺兹,雷·利奥塔,本·阿弗莱克,彼得·博格,安迪·加西亚,塔拉吉·P·汉森,克里斯·派恩,杰森·贝特曼,马修·福克斯,凯文·杜兰,乔尔·埃哲顿,艾丽西亚·凯斯,汤米·弗拉纳根
导演：乔·卡纳汉
简介：美国黑手党头目老普莱摩生命垂危，而此时他昔日的手下——魔术师巴迪（Jeremy Piven 饰）正与警方谈判，试图通过做污点证人来减轻自己的抢劫罪行，病床上的普莱摩下令拿到巴迪的心脏，并委托一名神秘的瑞典人处理此事。黑手党二号人物迅速发出了一百万美元的悬赏，誓要取得巴迪性命。截获此消息的警探理查德（Ryan Reynolds 饰）与唐纳德马上前往巴迪的所在地——太浩湖。与此同时，高额悬赏吸引了各路杀手，包括疯狂的纳粹三兄弟、辣妹双人组、易容杀手以及擅于刑讯的雇佣兵，三名离职警察亦同时受律师委托，带回弃保的巴迪。一时间，各路人马先后杀到巴迪潜藏的豪华酒店，将那里变成了混乱的战场……尘埃落定之后，理查德却发现了此案背后的玄机。
主演：王苏娅,陈强,鲍惠萍,马琳,丁绍康
导演：王好为,林扬
简介：中文名海上明珠出品时间1976年出品公司北京电影制片厂制片地区中国大陆拍摄地点山东烟台导 演林扬 王好为编 剧张相林类 型剧情主 演王苏娅，陈强，鲍惠萍，马琳，丁绍康片 长90分钟上映时间1976年对白语言普通话色 彩彩色1974年春，对于凌燕子来说，这天是个好日子。她要嫁到凤凰岛去作新媳妇，结婚途中，她发现副业队长崔民正在非法倒卖尼龙丝线，凌燕子揪住他不放。凌的公公郭老大是大队党支部书记，他认为崔民是在为集体增加收入，这种做法无可厚非，并且支持崔民用船来跑运输。燕子到凤凰岛后，在公社周书记的支持下，勇敢地承担起养殖队长的担子，把船用来种植海带，建造海上大寨田。崔民勾结渔霸小老婆孙金环的堂兄弟，策划以鲜鱼换机器，使不明真相的郭老大受骗。燕子贴大字报，及时揭露了崔民的阴谋诡计。崔民为了搞垮海带养殖队，鼓动渔民“赶小海”。燕子在政治夜校，以“批篓子”为题目，发动群众批判了“赶小海”的“资本主义倾向”，崔民怀恨在心，在一个大风的夜晚，偷解船缆，使队里最大的一艘养殖船触礁撞碎，进而教唆郭老大撤消养殖队，并用匿名信对郭老大施加压力，妄图借郭老大之手撵走燕子。燕子狠抓阶级斗争，以一系列事实教育了公爹，并耐心帮助水曼子跟她丈夫崔民划清界限。水曼子揭发了她丈夫崔民破坏养殖船的罪行，群情激愤，崔民“破坏农业学大寨的罪行”被彻底批判，这个所谓的“新生的资产阶级分子”被挖出来后，海上种植也试验成功，海带获得了大丰收。
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