主演：佐藤利奈,新井里美,伊藤加奈惠,丰崎爱生,寿美菜子
导演：神保昌登
简介：『#13' 炎天下の撮影モデルも楽じゃありませんわね。』が、2010年7月24日発売の『とある科学の超電磁砲 OFFICIAL VISUAL BOOK』付属DVDに収録された。テレビアニメ第1期第13話と平行したオリジナル短編エピソードである。
主演：宫野真守,花泽香菜,关智一,今井麻美,田村由香里
导演：佐藤卓哉,滨崎博嗣
简介：TOKYO MX重播的TV动画《命运石之门》（2015年）12月3日凌晨播出的第23话中改变情节，进入β世界线，凶真最终没能救活红莉栖，剧情进入了《命运石之门0》篇章。片尾彩蛋有《0》的主要角色、使用红莉栖头像的人工智能“阿玛迪斯”登场。新旧两版23集并非平行故事。新版是发生在旧版前夕的故事。 而《命运石之门0》和广播剧《无限远点的弧光灯β》是串连起这两集的关键作品。新版23集是《命运石之门0》的序曲，而《0》的结局是凶真给过去（2010年）的自己发短信、劝说当时的自己再次拯救红莉栖（这段内容在旧23集中也有提到），这才有了第24集第二次营救红莉栖的行动。《无限远点的弧光灯β》则解释了为什么在新23集中真由理阻止铃羽抽凶真一巴掌，却在旧23集中亲自抽了凶真。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：内详
导演：沈乐平
简介：特别篇动画《秦时明月之罗生堂下》是独立于动画《秦时明月》正传剧情之外的短篇番外故事。该动画讲述少司命年纪轻轻就从阴阳家弟子成为了阴阳家五大长老之一的经历。
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,下屋则子,松山鹰志,伊月由衣,进藤尚美,早水理沙,近藤隆
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：田中理惠,今井麻美,阿澄佳奈,佐藤利奈,堀江由衣,喜多村英梨,小仓唯,石原夏织,金井美香,植田佳奈,酒井香奈子,高桥智秋,相马康一
导演：向井雅浩,大岛博之
简介：《超次元游戏 海王星》TV动画于2013年7月12日~9月27日播放共12话，另于2014年10月16日在Animax播放新增1话，全13话。对TV动画重新构成的总集篇《超次元游戏 海王星 THE ANIMATION：Hi☆Light》全2话，分别于2020年10月28日、20 20年11月25日发售。新OVA1《超次元游戏 海王星 THE ANIMATION：涅普的暑假》于2019年7月8日在PlayStation Video配信，2020年12月25日发售。新OVA2《超次元游戏 海王星 THE ANIMATION：充满涅普涅普的感谢祭》于2021年12月15日在MiloQ 配信，2022年10月26日发售。新OVA3《超次元游戏 海王星 THE ANIMATION：沐浴阳光的紫茄子花》于2023年4月发售。
主演：Sari,Akasaka,Kyoko,Hanyu
导演：大林宣彦
简介：Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire
主演：Mashood,Alam,Ahmet,Atalay,Glen,Baggerly
导演：Ahmet,Atalay
简介：在不久的将来，一种神秘的病毒已经占据了世界人口的很大一部分。一旦被污染，它会在一天内杀死宿主。没有永久的治愈方法，只有每24小时恢复一次的临时血清。特种部队雇佣兵诺亚的小女儿就是感染者之一。当一个神秘的恐怖组织从绝密实验室偷走了一种永久的治疗方法时，诺亚被招募去取回它，并最终挽救了他女儿的生命。原本已经很危险的任务变成了一个死亡陷阱，恐怖分子带来了15辆装甲车，其中装满了100名训练有素的杀手，他们的武器包括突击步枪、手榴弹，甚至还有火箭发射器。最重要的是，雇佣诺亚的秘密政府组织也可能有不可告人的治疗动机。现在诺亚必须争分夺秒地保护他的女儿的生命，追逐变成了一曲超暴力行动的交响乐
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,进藤尚美,早水理沙,下屋则子,松山鹰志
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：内详
导演：玛缇·迪欧普
简介：Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
主演：内详
导演：未知
简介：Netflix将打造“愤怒的小鸟”动画剧集《愤怒的小鸟：夏日疯狂》(Angry Birds Summer Madness，暂译)。Netflix直接预订32集，每集11分钟。剧集讲述在令人不放心的雄鹰顾问的指导下，可爱小鸟们的夏令营生活。CAKE与Rovio共同担任制作。该剧将于2021年播出。
主演：花江夏树,鬼头明里,下野纮,松冈祯丞,日野聪,樱井孝宏,小西克幸,关智一
导演：外崎春雄
简介：为庆祝动画《鬼灭之刃》推出两周年，官方将于 2 月 14 日在 ABEMA 频道播出特别节目“鬼灭祭 Online-动画贰周年记念祭-”。 原预定将于 2 月 13、14 日在日本幕张展览馆所举办的实体活动“鬼灭祭-动画贰周年记念祭-”，由于疫情感染扩大的影响，因此改为线上播出的形式举办，节目中将登场的包括饰演主角群的主要声优 花江夏树、鬼头明里、下野纮、松冈祯丞、日野聪等人，也会公布关于作品的最新情报。 此外，由 ufotable 担纲制作的动画特别篇《鬼灭学园 情人节篇（キメツ学园 バレンタイン编）》也将在 14 日当天于 Aniplex 的官方 YouTube 频道公开第 1~3 话，第 4 话则抢先在“鬼灭祭 Online-动画贰周年记念祭-”播出后，连同活动本身的影片也会在 Aniplex 官方 YouTube 频道公开（目前仅限日本地区收看）。
主演：前田爱,相ヶ瀬龍史
导演：渡部高志
简介：幽静安宁的森林里，奇诺（前田爱 配音）和师父相守度日。她按照师父的指示打扫料理她们的林间小屋，期间学习使用各种枪械，提高射击的技术，或者联系操纵机车。时常有人来拜访师父，奇诺虽感好奇，却似乎更安于此时的生活状态。直到某天，她去河边打水的时候邂逅了一名男性旅者，对方的一番言语勾起了奇诺对外面世界的向往。她向师父表明了外出游历的意愿，师父并未加以阻拦，反而鼓励她勇敢地走出森林探险。只要切记，世事无常。奇诺不平凡和漫长的旅程开始了，她永远不知道等在前方的会是什么，但谁会因此停下探索的脚步？本片根据时雨泽惠一的原作改编。
主演：杰克·布莱克,达斯汀·霍夫曼,维尔·桑德里,埃蒙·皮鲁切罗,格雷斯·罗莱克,麦克思·科契,汤姆·欧文斯,卡罗尔·凯恩,约翰·迪·马吉欧,斯蒂芬·凯林,詹姆士·谢,梅勒迪斯·斯科特·林恩,杰西卡·迪西可,斯蒂芬妮·勒梅林,大卫·克罗斯,吉姆·卡明斯,塔拉·斯特朗,房祖名,兰德尔·杜克·金,伊丽莎白·安·本尼特
导演：许诚毅
简介：在阿波与太郎的战斗后，他在此教导新一批的功夫学生，他们是一群可爱的兔子，学生们执意要学习战斗，阿波教导他们功夫中重要的是-信心，耐心，勇气，等等..。
主演：吉田舞香,田村睦心,田所梓,金元寿子
导演：木上益治
简介：该片是2019年推出的动画《巴加的工作室》的续篇，以KOHATA动画工作室为舞台，讲述在这里制作动画的人们，和类似仓鼠的生物“巴加”之间的日常故事。
主演：Tim,Blough,杰里·卡尔顿,Ari,Damasco,Neil,Green,Genna,McAllister,Miss,Prys,Olga,Sanchez,Dan,Vhay
导演：Em,Weinstein
简介：Young, trans Michael returns to his family home in the rural American West. His father takes him on a sultry exploit, striving to connect.
主演：佳原萌枝,松浦爱弓,西山宏太朗
导演：伊藤祐毅
简介：日本、奪還。今をミライに使うんじゃない。今が未来を作るんだ。ドラマチックRPG『サクラ革命 ～華咲く乙女たち～』（iOSAndroid）、2020年配信予定。本作の冒頭を元にしたスペシャルアニメを公開！
主演：泡芙小姐,十三妖,小若,超级玛丽,小智
导演：王波
简介：《泡芙小姐》以每集一个独立且彼此关联的小故事的形式，讲述了繁华都市里时尚男女的情感生活。泡芙小姐，是一名时尚性感的独居白领。她有自己的小小朋友圈——清纯女孩小若、妖娆美女十三妖和潮男超级玛丽。四个人有着不同的处世态度，对爱情也有着不同的理念。有一天，泡芙小姐遇见一名爱摄影的法国小伙子。他每到一个城市，都会拍人的生活，一个人遇见另一个人，有了故事他就会拍另一个人，一个接一个拍下去。他认为人的相遇是城市里最浪漫的风景。而遇见泡芙小姐后，他发现孤独的泡芙小姐极少与人接触，他觉得自己的法式浪漫延续不下去了。泡芙小姐却对他说，自己不是遇见了他吗……本动画是优酷及北京互象动画有限公司共同出品的系列都市情感剧，采用了场景实拍和三维立体动画人物相结合的制作手法。
主演：马修·格克齐,Kaycie,Chase,David,Gasman,Lee,Delong,比尔·法玛尔,Barbara,Scaff,Sylvain,Caruso
导演：Jean,Cayrol
简介：Disney 动画剧集《奇奇与蒂蒂：公园生活》(Chip ‘N’ Dale Park Life，暂译)释出首张剧照，并确定于7月23日开播。该剧由让·凯罗尔执导，讲述两个小捣蛋鬼试图在大城市公园里过上美好的生活，同时也在经历巨大的、天马行空的冒险。该剧共36集，每集7分钟。
主演：Günther,Peter,Straschek,Danièle,Huillet,Peter,Nestler
导演：让-马里·斯特劳布
简介：RFA197215‘VOSTF16mmd'après « I cani del Sinaï » de Franco Fortini.
主演：查理·卓别林,切斯特·康克林,Cecile,Arnold,Vivian,Edwards
导演：查理·卓别林
简介：Charlie and a rival vie for the favors of their landlady. In the park they each fall different girls, though Charlie's has a male friend already. Charlie considers suicide, is talked out of it by a policeman, and later throws his girl's friend into the lake. Frightened, the girls go off to a movie. Charlie shows up there and flirts with them. Later both rivals substitute themselves for the girls and attack the unwitting Charlie. In an audience-wide fight, Charlie is tossed from the screen.
主演：余皑磊
导演：张亚光
简介：脚步匆忙，奔波往复。这个世界上从早到晚，从西到东，似乎每个人都有无数的事情要做，却翻花迷眼，盲目糊涂。在国际大都市的一隅，生活着自信的拳击手李磊（余皑磊 饰），他饮食无忧，生活优渥，战绩显赫，可是仍然找不到人生的动力与激情。拳拳到肉的阵痛，也许都为他找到一些活着的感觉。接连很多天，他总能在路边看见戏台上包公打扮的人和端着浴缸的金发女郎。他的眼睛似乎被打出了问题，接连出现的幻觉让他倍感困扰。他认为即将失明，没有选择地走入一个全然黑暗的世界…… 本片为中国电影集团与优酷网联合出品的微电影系列《十一度青春》中的一部。
主演：Terry,O'Sullivan,Sheila,Raynor,保罗·巴伯
导演：特伦斯·戴维斯
简介：Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. You're a good boy, she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.
主演：梅根·希尔提,布兰达·宋,杰森·多雷,蒂芙妮·桑顿,赞达亚,梅·惠特曼,刘玉玲,雷文-西蒙尼,安吉拉·巴蒂斯,帕梅拉·阿德龙,杰夫·贝内特,罗伯·鲍森,简·霍洛克斯,凯瑞·华格伦,杰西卡·迪西可,杰西·麦卡尼,丹·柯蒂斯·李,安杰丽卡·休斯顿
导演：布拉德利·雷蒙德
简介：迪士尼于2008年开始推出《奇妙仙子》系列作品，首先计划推出的四部作品刚好分别就是春夏秋冬四季的故事，后来迪士尼决定继续延续此一系列，第五部作品的计划就此展开。后来迪士尼甚至决定将这部《奇妙仙子》系列作品首度尝试以ＴＶ电影首播的方式推出，因此本片推出问世的时间甚至还早于较早计划的冬天故事。而且，据说本片也会制作成３Ｄ立体版本，于发行蓝光影音产品时推出。在本片的故事中，四年一度的闰年到来，小精灵谷的仙子们每逢闰年会举办一场跨越季节的大竞赛，小精灵谷的仙子们使出浑身解数，为了争取最高的荣耀而一较高下！
主演：田中凉子,田口宏子,水桥香织,民安智惠,清水爱,平山縁
导演：天冲
简介：BD DVD各卷收录的特典动画短篇，共5话。卷数 特典话数 特典标题 发售日1第八话 由美子編 「由美子の、ドキドキ湯上がり密着ロッカー」 2015年8月26日2第九话ミリエラ編「ミリエラの極秘野戦訓練」 2015年9月18日3第十话 みちる編 ツンデレ流プリクリャ撮影会 2015年10月28日予定4第十一话 2015年11月25日予定5第十二话 2015年12月23日予定
主演：彭冠英,冯丹滢
导演：沈严,唐浚
简介：相恋多年的男孩（彭冠英 饰）和女孩（冯丹滢 饰），最初的温柔浪漫过后，不得不去面对残酷的现实问题。婚姻、房子、孩子、家人……等等等等，无不困扰着这对一曾相约相守的小恋人。这一日，两人在一座桥下发生激烈争吵，争吵到了顶点，男孩为了证明对女孩的真爱，便与之相约殉情。一辆车飞驰而来，他们冲上马路，险些发生车祸，而车主（彭冠英 饰）与另一个女子（冯丹滢 饰）说的话似乎让他们若有所悟。与其相濡以沫，不如相忘于江湖。如何把握，如何放手…… 本片为中国电影集团与优酷网联合出品的微电影系列《十一度青春》中的一部。
主演：中原麻衣,雪野五月,田村由香里,金井美香,保志总一朗
导演：今千秋
简介：作为《寒蝉鸣泣之时》DVD全9巻购入者特典的“猫杀篇”OVA动画。片头、片尾曲和“寒蝉鸣泣之时”动画（第一期）相同。前原圭一和其他社团成员玩扑克牌游戏，规则是输家接受惩罚，穿着女仆装、泳装等在村里进行Cosplay游行。游戏结束后，大伙步行到雏见泽村郊外的谷河内。园崎魅音说起她幼年时有一回和伙伴们到采石场附近玩捉迷藏，不久即被一位突然出现的大叔催赶回家，后来伙伴A行踪不明，A的父亲驱车前往谷河内寻找，不料在回程的途中2人的汽车翻落山崖。有传言说他们是因为吸入了从连通地狱的洞穴渗漏出来的瘴气而中毒……
主演：内详
导演：未知
简介：故事讲述了在一个异次元空间，各种不同动漫中的功夫高手因为各种原因齐聚一堂，为了决出谁才是真正的天下第一而陷入了激烈的争斗，没想到这一切其实都是一个巨大的阴谋……
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