主演：管云鹏,屈梦汝,胡家豪,谢波,李奕霖,孙铭远,罗伊伊,宣宣,钟振亚,王帅,大卫,张霆宇,项雨,万越,陈奕静,李晓曦,徐欢,谢瑜,李钟璐,刘鑫鹏,石泽成,杨博壹,刘华建,曾慈蘅,杨和希,李博远,黄露,贺遵山,柴海滨,杨超锦,石兰金,龚湘娟,杨亚江,杨丽娟
导演：王昊
简介：阿智从小就立志要干出一番惊天动地的大事。结果长大以后，成了一线城市大厂保安，唯一的大事就是为了面子，在仅老家人可见的朋友圈里吹自己在干大事。某天，他儿时挚友因信了他的朋友圈，邀他回去参与号称要打造10亿流量的首届村超。阿智觉得这是个咸鱼翻身的好机会，便答应回寨打造属于自己的网红账号，这一过程中，阿智遇到了形形色色的人，与这些人相处过程中，他也逐渐找到了返乡的意义，真正明白了纯粹足球的含义。
主演：内详
导演：未知
简介：第1回「君が好きだから」（著：井上美珠）第2回「溺愛デイズ」（著：槇原まき）第3回「愛されるのもお仕事ですかっ！？」（著：栢野すばる）第4回「待ち焦がれたハッピーエンド」（著：吉桜美貴）第5回「野良猫は愛に溺れる」（著：桜朱理）第6回「暴走プロポーズは極甘仕立て」（著：冬野まゆ）第7回「プリンの田中さんはケダモノ。」（著：雪兎ざっく）第8回「冷酷CEOは秘書に溺れるか？」（著：流月るる）第9回「総務部の丸山さん、イケメン社長に溺愛される」（著：有允ひろみ）第10回「152センチ62キロの恋人」（著：高倉碧依）第11回「私と彼のお見合い事情」（著：幸村真桜）第12回「4番目の許婚候補」（著：富樫聖夜）
主演：郑初晨,赵阿东,张珍,王星月,肖梓铭,张金成
导演：詹海峰
简介：钟梓墨发现酷似已故恋人李一诺的楚若云，竟是龙昊天的妻子。误信楚若云不爱龙昊天且是契约婚姻的钟子墨，联手李霄汉的养女李依然，设局重创龙氏集团。李依然趁机以巨额借款要挟龙昊天复合，被拒后挑拨离间，导致龙昊天与楚若云误会加深。龙家为获资金逼走怀孕的楚若云。楚若云流产之际，更遭绑架，龙昊天与钟梓墨合力就出她。失去孩子后，龙昊天毅然脱离家族，守护楚若云。此时，钟梓墨揭露惊人真相：楚若云实为李氏夫妇当年被管家偷换的亲生女儿，李一诺的双胞胎妹妹。身世大白，楚若云与李家相认。她与龙昊天破除万难，终成眷属。钟梓墨与李依然的执念也随之消散。
主演：郭迦南,徐紫茵,云歌,霍星宇,李沛霖,张迪,王志勤,张俊炜,郭卫鹏
导演：李克
简介：毕业后的沈枝意（徐紫茵饰）在家乡岭南村开了一家民宿。在好朋友孟娇娇，马熠的帮助下，民宿逐渐有了起色。天文爱好者江澄（郭迦南饰）经过精密的计算，预测一颗小陨石即将掉落在岭南村。为了拯救村民，他意外结识了孟娇娇（张冰倩饰），林岸锦（霍星宇饰），姜楚扬等年轻人。此时他们的生活和工作都陷入低谷，且厌倦了城市的内卷和复杂的人际交往。最初，民宿里的小伙伴有矛盾冲突，但在之后的相处过程中逐渐了解彼此的遭遇和故事，渐渐成为了知己好友，在远离城市喧嚣的世外桃源互相陪伴，各自成长。他们重新审视过往，互相帮助，在有风的地方整理好心情，获得力量重新出发。众人相聚在岭南村，不断地磨合，共同患难，克服了重重难关，成功将民宿经营起来，并且大力发展了岭南村的旅游业。
主演：刘文杰,木幡龙,姜潮,毕晓晨,王紫硕
导演：武健
简介：就在张霄(刘文杰 饰)事业最春风得意时，他的妻子陈心(王紫硕 饰)突然出走，并提出离婚，还传来一张与陌生男子(姜潮 饰)的亲吻合影为证。气愤的张霄想出了一个荒唐的办法：策划一个假绑架！自己再英雄救美，赢得美人心的同时还能给她个教训！他按照照片的定位来到了大连，找到了自称黑帮传人的日本“侠客”—彪桑(木幡龙 饰)，以及已故大力士“力王”的儿子—“大力”(毕晓晨 饰)。三人组成行动团伙，开始了想当然的“半岛行动”。行动中张霄才发现团队的各种不靠谱，经常把自己置于险境，状况不断，各种窘迫！但糟糕的行动中，爱情似乎又泛起了微光……
主演：内详
导演：Paulo,Garcia,Natalia,Gouvea
简介：47, which recently garnered multiple awards at the 2024 Cannes Lions Festival of Creativity, tells the heartbreaking yet ultimately uplifting story of Robert, a boy with Down syndrome. Through exquisitely crafted puppetry and miniature sets, we watch Robert face constant rejection and exclusion, symbolised by a treacherous river voyage.All the way through, his mother's love, r...
主演：博胡什·扎霍尔斯基,Svatava,Hubeňáková
导演：伊日·门泽尔
简介：In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died.Graduation film of director Jirí Menzel.
主演：佐藤利奈,新井里美,伊藤加奈惠,丰崎爱生,寿美菜子
导演：神保昌登
简介：『#13' 炎天下の撮影モデルも楽じゃありませんわね。』が、2010年7月24日発売の『とある科学の超電磁砲 OFFICIAL VISUAL BOOK』付属DVDに収録された。テレビアニメ第1期第13話と平行したオリジナル短編エピソードである。
主演：宫野真守,花泽香菜,关智一,今井麻美,田村由香里
导演：佐藤卓哉,滨崎博嗣
简介：TOKYO MX重播的TV动画《命运石之门》（2015年）12月3日凌晨播出的第23话中改变情节，进入β世界线，凶真最终没能救活红莉栖，剧情进入了《命运石之门0》篇章。片尾彩蛋有《0》的主要角色、使用红莉栖头像的人工智能“阿玛迪斯”登场。新旧两版23集并非平行故事。新版是发生在旧版前夕的故事。 而《命运石之门0》和广播剧《无限远点的弧光灯β》是串连起这两集的关键作品。新版23集是《命运石之门0》的序曲，而《0》的结局是凶真给过去（2010年）的自己发短信、劝说当时的自己再次拯救红莉栖（这段内容在旧23集中也有提到），这才有了第24集第二次营救红莉栖的行动。《无限远点的弧光灯β》则解释了为什么在新23集中真由理阻止铃羽抽凶真一巴掌，却在旧23集中亲自抽了凶真。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：内详
导演：沈乐平
简介：特别篇动画《秦时明月之罗生堂下》是独立于动画《秦时明月》正传剧情之外的短篇番外故事。该动画讲述少司命年纪轻轻就从阴阳家弟子成为了阴阳家五大长老之一的经历。
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,下屋则子,松山鹰志,伊月由衣,进藤尚美,早水理沙,近藤隆
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：田中理惠,今井麻美,阿澄佳奈,佐藤利奈,堀江由衣,喜多村英梨,小仓唯,石原夏织,金井美香,植田佳奈,酒井香奈子,高桥智秋,相马康一
导演：向井雅浩,大岛博之
简介：《超次元游戏 海王星》TV动画于2013年7月12日~9月27日播放共12话，另于2014年10月16日在Animax播放新增1话，全13话。对TV动画重新构成的总集篇《超次元游戏 海王星 THE ANIMATION：Hi☆Light》全2话，分别于2020年10月28日、20 20年11月25日发售。新OVA1《超次元游戏 海王星 THE ANIMATION：涅普的暑假》于2019年7月8日在PlayStation Video配信，2020年12月25日发售。新OVA2《超次元游戏 海王星 THE ANIMATION：充满涅普涅普的感谢祭》于2021年12月15日在MiloQ 配信，2022年10月26日发售。新OVA3《超次元游戏 海王星 THE ANIMATION：沐浴阳光的紫茄子花》于2023年4月发售。
主演：Sari,Akasaka,Kyoko,Hanyu
导演：大林宣彦
简介：Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire
主演：Mashood,Alam,Ahmet,Atalay,Glen,Baggerly
导演：Ahmet,Atalay
简介：在不久的将来，一种神秘的病毒已经占据了世界人口的很大一部分。一旦被污染，它会在一天内杀死宿主。没有永久的治愈方法，只有每24小时恢复一次的临时血清。特种部队雇佣兵诺亚的小女儿就是感染者之一。当一个神秘的恐怖组织从绝密实验室偷走了一种永久的治疗方法时，诺亚被招募去取回它，并最终挽救了他女儿的生命。原本已经很危险的任务变成了一个死亡陷阱，恐怖分子带来了15辆装甲车，其中装满了100名训练有素的杀手，他们的武器包括突击步枪、手榴弹，甚至还有火箭发射器。最重要的是，雇佣诺亚的秘密政府组织也可能有不可告人的治疗动机。现在诺亚必须争分夺秒地保护他的女儿的生命，追逐变成了一曲超暴力行动的交响乐
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,进藤尚美,早水理沙,下屋则子,松山鹰志
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：内详
导演：玛缇·迪欧普
简介：Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
主演：内详
导演：未知
简介：Netflix将打造“愤怒的小鸟”动画剧集《愤怒的小鸟：夏日疯狂》(Angry Birds Summer Madness，暂译)。Netflix直接预订32集，每集11分钟。剧集讲述在令人不放心的雄鹰顾问的指导下，可爱小鸟们的夏令营生活。CAKE与Rovio共同担任制作。该剧将于2021年播出。
主演：花江夏树,鬼头明里,下野纮,松冈祯丞,日野聪,樱井孝宏,小西克幸,关智一
导演：外崎春雄
简介：为庆祝动画《鬼灭之刃》推出两周年，官方将于 2 月 14 日在 ABEMA 频道播出特别节目“鬼灭祭 Online-动画贰周年记念祭-”。 原预定将于 2 月 13、14 日在日本幕张展览馆所举办的实体活动“鬼灭祭-动画贰周年记念祭-”，由于疫情感染扩大的影响，因此改为线上播出的形式举办，节目中将登场的包括饰演主角群的主要声优 花江夏树、鬼头明里、下野纮、松冈祯丞、日野聪等人，也会公布关于作品的最新情报。 此外，由 ufotable 担纲制作的动画特别篇《鬼灭学园 情人节篇（キメツ学园 バレンタイン编）》也将在 14 日当天于 Aniplex 的官方 YouTube 频道公开第 1~3 话，第 4 话则抢先在“鬼灭祭 Online-动画贰周年记念祭-”播出后，连同活动本身的影片也会在 Aniplex 官方 YouTube 频道公开（目前仅限日本地区收看）。
主演：前田爱,相ヶ瀬龍史
导演：渡部高志
简介：幽静安宁的森林里，奇诺（前田爱 配音）和师父相守度日。她按照师父的指示打扫料理她们的林间小屋，期间学习使用各种枪械，提高射击的技术，或者联系操纵机车。时常有人来拜访师父，奇诺虽感好奇，却似乎更安于此时的生活状态。直到某天，她去河边打水的时候邂逅了一名男性旅者，对方的一番言语勾起了奇诺对外面世界的向往。她向师父表明了外出游历的意愿，师父并未加以阻拦，反而鼓励她勇敢地走出森林探险。只要切记，世事无常。奇诺不平凡和漫长的旅程开始了，她永远不知道等在前方的会是什么，但谁会因此停下探索的脚步？本片根据时雨泽惠一的原作改编。
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